Into The Woods

 We really like the Bridge Theatre.  It's where we saw the wonderful gender-switching A Midsummer Night's Dream last year, and the space is welcoming and flexible.

So we went to see Stephen Sondheim's Into the Woods at the Bridge with high hopes.

The sets were very good, and the cast were great (and the production has won several awards, not least Best Musical Revival at this year's Oliviers). 

But... we were disappointed.  

I think we found the music a little same-y, and the plot over long.  It could have been trimmed.  

It was definitely the piece itself, rather than the production.

This may all sound heretical.  

But there you go.

Indian Ink

 So we went to see Tom Stoppard's Indian Ink. 

In the first ever production of the play, Felicity Kendal had played the young poet, Flora Crew, travelling around India.

At the age of 79, she was also in the production we saw at the Hampstead Theatre, playing Flora's elderly sister, Eleanor Swan, remembering Flora in the past.  

We enjoyed this immensely; the play was full of typically Stoppardian musing, and the cast were very strong.  This time, Flora was played by Ruby Ashbourne Serkis (Gollum's daughter).  

Some of us were a critical of Stoppard's picture of India from the standpoint of a white Englishman (although Stoppard did spend some time at boarding school in Darjeeling, that probably didn't provide much real insight).  However, others thought he got away with it via the character of Eldon Pike - the American academic who is trying to publish Flora's Collected Letters.  He misunderstands and makes assumption about her life - and Stoppard uses him to recognise the likely errors in his own presentation, (or so some of us thought).

At one point, Flora mentions pouring a jug of water on the critic JC Squire's head, after he panned her poetry.  Squire is a name we know from his book of essays "If it had Happened Otherwise" (1931) which have been considered proto-alternative histories.  According to Wikipedia, he moved further and further to the right through his life.  Despised by most of the Bloomsbury set, he eventually became associated with Moseley.

Meanwhile the Rajah mentions 'Bendor Westminster' - the Duke of Westminster and one of the many Grosvenors, who for a long time have used the name Bendor.  And it seems Chaucer, years ago, had a hand in that.  But that is for another time...

But those two small instances only reinforce the complex series of references and allusions in the play. 

Very good.

Mackerel from Nunhead

Mackerel sky over Nunhead. 
Better tell Sopers...

 

Solace?

 In today's Guardian...

Artemis II Advertising?

 As Space Junkies, we have obviously been glued to our screens and radios for the latest information about the Artemis II trip around the moon.

And we enjoyed yesterday's Guardian Prize crossword on a similar theme.

We do worry, however, about the advertising.

First a jar of Nutella flies weightlessly across the capsule on camera - to the joy, doubtless, of the Nutella advertising department.

And then there was this advert for Tunnock's Teacakes:

(Many thanks to one of our sons for pointing this out...)

Gilbert and Sullivan Goes Wrong.

 So to the ENO for Pinafore last February.  A warship of a show, hard to mess up. 

But for us, they kinda managed to.

Mel Giedroyc - who we at the Trees normally like, as a rule - was a 'special guest star', and she kept on popping up as a meta-guest, who was chaotically interfering with a show of the Pinafore.  Rather like a second rate version of The Play That Goes Wrong - where the play is a G&S performance.  Her style of clowning clashed with much of the rest of the comedy in the show, and the whole thing was rather scrappy.

Disappointing.

More Shows

So we booked four shows.

Indian Ink in Hampstead

HMS Pinafore at the ENO

Into the Woods at the Bridge theatre

Arcadia at the Old Vic.

...results were mixed...