Wednesday, 25 November 2009

Symbolism at D's House

Some species of tree are freighted with with symbolic meaning. They have a cultural or historical resonance that extends far beyond their mere physical presence. Willow reminds one of English cricket, or the dangers of the Old Forest. It also has associated notions of magic and daydreams from so-called Celtic traditions (apparently). Oak is perhaps the tree that symbolises the British and their navy ("Hearts of Oak" - echoing the notion of strength and fortitude), as well - maybe - as druidic shamanism in the old German forests (see Simon Shama's Landscape and Memory).

Anyway, D. has bought another house on our road, so we went along to have a nose around. Apart from a few accessibility adaptations, the house seems virtually unchanged from the 1960s.

This magnificent print above a condemned fireplace gives a flavour of the decor:


It is one of those mass-built houses built - I guess - in the mid-nineteenth century to cater for London's huge expanding middle classes.

Although actually knocked up in something of a hurry according to one of our builder neighbours, they seem quite sturdy and - more importantly - very large to contemporary eyes.
However, D. has assured all of his new neighbours that he isn't interested in turning this into flats. Just do it up, make it all very sound, and sell it.

The gardens out back aren't huge, but there is quite a lot you can do with them.
Some of the house only seems dingy because it is grubby, and shaded by grey unwashed net curtains. It creates a seriously sad feeling.

Out in the back there is a kitchen extension which probably once felt light and airy, but now, to me at least, just feels damp and grubby.

But then I peeked out of the back door. What was this? I could only get half a view...
A huge Yew tree covering half the back garden. Traditional symbol of death and illusion. Poisonous. This is just part of the Wikipedia entry:
In the ancient Celtic world, the yew tree (*eburos) had extraordinary importance; a passage by Caesar narrates that Catuvolcus, chief of the Eburones poisoned himself with yew rather than submit to Rome (Gallic Wars 6: 31). Similarly, Florus notes that when the Cantabrians were under siege by the legate Gaius Furnius in 22 BC, most of them took their lives either by the sword or by fire or by a poison extracted ex arboribus taxeis, that is, from the yew tree (2: 33, 50-51). In a similar way, Orosius notes that when the Astures were besieged at Mons Medullius, they preferred to die by their own swords or by the yew tree poison rather than surrender (6, 21, 1.)
In Asturian tradition and culture the yew tree has had a real link with the land, the people, the ancestors and the ancient religion. It was tradition on All Saints Day to bring a branch of a yew tree to the tombs of those who died recently so they will find the guide in their return to the Land of Shadows. The yew tree can be found near chapels, churches and cemeteries since ancient times as a symbol of the transcendence of death, and is usually found in the main squares of the villages where people celebrated the open councils that served as a way of general assembly to rule the village affairs.
It is considered by several authors that the oldest yew tree in Europe is located in Bermiego, Asturias. It is known as «Teixu l'Iglesia» in asturian language. It is 15 meters tall with a trunk perimeter of 7 metres and a crown diameter of 10 meters. It was declared Natural Monument on April 27 1995 by the Asturian Government and is protected by the Plan of Natural Resources.

Germanic folk too, have thought the yew tree important, as the World Tree Yggdrasil is often said to be a yew.
In 1021, Avicenna introduced the medicinal use of Taxus baccata L for phytotherapy in The Canon of Medicine. He named this herbal drug as "Zarnab" and used it as a cardiac remedy. This was the first known use of a calcium channel blocker drug, which were not in wide use in the Western world until the 1960s.[12]

The yew is often found in church yards from England and Ireland to Galicia; some of these trees are exceptionally large (over 3 m diameter) and may be over 2,000 years old. It has been suggested that the enormous sacred evergreen at the Temple at Uppsala was an ancient yew tree.[13][14] The Christian church commonly found it expedient to take over these existing sacred sites for churches. It is sometimes suggested that these were planted as a symbol of long life or trees of death. An explanation that the yews were planted to discourage farmers and drovers from letting their animals wander into the burial grounds, with the poisonous foliage being the disincentive, may be intentionally prosaic.

Yew is also associated with
Wales and England because of the longbow, an early weapon of war developed in northern Europe, and as the English longbow the basis for a mediaeval tactical system. Yew is the wood of choice for longbow making; the bows are constructed so that the heartwood of yew is on the inside of the bow while the sapwood is on the outside. This takes advantage of the natural properties of yew wood since the heartwood resists compression while the sapwood resists stretching. This increased the strength and efficiency of the bow. Much yew is knotty and twisted, so unsuitable for bowmaking; most trunks do not give good staves and even in a good trunk much wood has to be discarded.

The trade of yew wood to England for longbows was such that it depleted the stocks of good-quality, mature yew over a vast area. The first documented import of yew bowstaves to England was in 1294. In 1350 there was a serious shortage, and
Henry IV of England ordered his royal bowyer to enter private land and cut yew and other woods. In 1470 compulsory archery practice was renewed, and hazel, ash, and laburnum were specifically allowed for practice bows. Supplies still proved insufficient, until by the Statute of Westminster in 1472, every ship coming to an English port had to bring four bowstaves for every tun. Richard III of England increased this to ten for every tun. This stimulated a vast network of extraction and supply, which formed part of royal monopolies in southern Germany and Austria. In 1483, the price of bowstaves rose from two to eight pounds per hundred, and in 1510 the Venetians would only sell a hundred for sixteen pounds. In 1507 the Holy Roman Emperor asked the Duke of Bavaria to stop cutting yew, but the trade was profitable, and in 1532 the royal monopoly was granted for the usual quantity "if there are that many." In 1562, the Bavarian government sent a long plea to the Holy Roman Emperor asking him to stop the cutting of yew, and outlining the damage done to the forests by its selective extraction, which broke the canopy and allowed wind to destroy neighbouring trees. In 1568, despite a request from Saxony, no royal monopoly was granted because there was no yew to cut, and the next year Bavaria and Austria similarly failed to produce enough yew to justify a royal monopoly. Forestry records in this area in the 1600s do not mention yew, and it seems that no mature trees were to be had. The English tried to obtain supplies from the Baltic, but at this period bows were being replaced by guns in any case.

In the Central Himalayas, the plant is used as a treatment for breast and ovary cancer.
As I said, some trees are freighted with symbolic meaning. And also, please note, a relationship with our recent tour of northern Spain.
Voldemort's wand is made of Yew.
When we visited the Poison Garden at Alnwick the Yew tree was something they spoke of a lot, and I came away thinking about complicated, deep history. And now D. has one in his back garden.
The house and the garden convey different, complex historical nuances.
The house is an explicitly man-made layering, but then so also is the yew, I guess, in that we superimpose our own thoughts and values onto the plant.
(Although to be fair, in the house the layer may simply be the result of some particularly garish nineteen-sixties wallpaper!)

We also came across a newspaper from 1947 in which a report recorded that the landlord of the Waverly Arms had been found guilty of watering down his Gin...
Finally, this all felt too oppressive, so I opened the top windows at the back for some air, and looked out at all the other back gardens. I thought it was a scene both domestic yet also strangely pastoral. It felt very refreshing.
But then there was the Yew again, with all of its iconography.
I felt I had to combat the symbol with another symbolic tree - and in the next door garden was the perfect thing.
A Christmas Tree! A Norwegian spruce I would guess (with a longer Wikipedia entry than the Yew - how symbolic is that?)
Either way, the clash of symbols worked and cheered me up no end!
I could even look back inside and quite cheerfully contemplate this floppy lampshade:
Outside also, the beautiful red/brown leaves (from those trees that shed in the Autumn) had coated the front step and garden to fantastic effect. I was back in ordinary life, looking at things to see what they looked like, as it were, rather than allowing all of the rich dark allusions of D.'s new-old house and garden to overwhelm me!



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